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Gallery Newsletter

  • Writer: Diamond Zhou
    Diamond Zhou
  • Mar 29
  • 4 min read

welcome to our

SATURDAY EVENING POST

March 29th, 2025



We are proud to announce the representation of

Jan Hoy


Washington State based artist Jan Hoy engages in an inquiry into space, structure, and clarity using elegant forms created by steel and clay. Her work is conceptually driven by formal questions, each sculpture, as she describes is “a three-dimensional answer to a question” arrived at through prolonged contemplation and refinement. The results are abstract forms of striking simplicity, of single, unadorned shapes distilled into an essential geometry with nothing extraneous. This minimalist purity is not an absence, but a presence, an austere elegance born of Hoy’s conviction that the subtlest curve or void speaks volumes, they are perfectly resolved. 



Jan Hoy, Unlock, Bronze, 14 in. h. x 18 in. w. x 8 in. d.
Jan Hoy, Unlock, Bronze, 14 in. h. x 18 in. w. x 8 in. d.



Jan Hoy sculpting with clay in her studio
Jan Hoy sculpting with clay in her studio

Materiality is central to Hoy’s exploration. She consistently sculpts her smaller works in water-based clay, as these ambitious shapes — when translated into large-scale — require rigorous design. Many of Hoy’s smaller works “almost beg to be scaled up”, she patiently creates, tests, and adjusts, until the structure and balance are achieved, often resulting in an engineering marvel. Her inquiries demand not only aesthetic vision but also technical mastery and innovation. She translates her most resolved forms into cast bronze or Corten steel, metals that impart strength and durability to the work without sacrificing its clarity of line​. In these final incarnations, the sculptures carry a profound sense of presence, at once hefty and graceful, grounded by industrial material yet true to the poetic simplicity of their origins.



Jan Hoy has been featured in prominent museum exhibition of Pacific Northwest abstraction. Her sculptures are in the permanent collections of the Museum of Northwest Art in La Conner and the Bainbridge Island Museum of Art. Hoy has brought her vision into public spaces through ambition commissions, notable among these is Continuity, created for the Veteran Home in Walla Walla, Washington, along with other works sited in Seattle, Olympia, and San Francisco. She received her degree from the University of Washington, and lives and works in the town of Coupeville on Whidbey Island, Washington, where “the misty weather, silver skies, and the abundance of healthy greens and browns” created lifelong impact on her aesthetic sensibility.



Jan Hoy, Interlock, Stainless steel, industrial paint, 48 in. h. x 48 in. w. x 30 in. d.
Jan Hoy, Interlock, Stainless steel, industrial paint, 48 in. h. x 48 in. w. x 30 in. d.


Jan Hoy, Stride, Corten steel, stainless steel, 48 in. h. x 30 in. w. x 38 in. d.




 


New Works Available



Robert Kelly, Mimesis Noir XV, 2025, Oil/mixed media on panel, 22 x 17 in.
Robert Kelly, Mimesis Noir XV, 2025, Oil/mixed media on panel, 22 x 17 in.

Robert Kelly, Mimesis Noir XVI, 2025, Oil/mixed media on panel, 22 x 17 in.
Robert Kelly, Mimesis Noir XVI, 2025, Oil/mixed media on panel, 22 x 17 in.


Maxwell Bennett Bates, Girl with Black Hair, c. 1958, Oil on canvas, 30.25 x 25 in.
Maxwell Bennett Bates, Girl with Black Hair, c. 1958, Oil on canvas, 30.25 x 25 in.

Maxwell Bennett Bates, Circus People, 1972, Oil on canvas, 19.5 x 23 in.
Maxwell Bennett Bates, Circus People, 1972, Oil on canvas, 19.5 x 23 in.


Jack Shadbolt, Northern Elegy #1, 1964, Oil and lucite on canvas, 36 x 49 in.
Jack Shadbolt, Northern Elegy #1, 1964, Oil and lucite on canvas, 36 x 49 in.

Jack Shadbolt, January Bird #11, 1965, Ink on paper, 25 x 19.25 in.
Jack Shadbolt, January Bird #11, 1965, Ink on paper, 25 x 19.25 in.


Willem de Kooning, Two Women, 1973, Lithograph, # 83/100, 18 x 15 in.
Willem de Kooning, Two Women, 1973, Lithograph, # 83/100, 18 x 15 in.


 


A Few of Our Recently Sold Works





David Spriggs, Commissioned Work, Aeon, 2024, Anodised aluminum, 120 x 180 x 25 in.

Installed at 200 Front St W. (Simcoe Place), Toronto, East Upper Concourse above the escalators.




Charlotte Wall, Open Sun, 2024, Polished stainless steel, 72 x 72 x 24 in.
Charlotte Wall, Open Sun, 2024, Polished stainless steel, 72 x 72 x 24 in.


Robert Kelly, Mimesis Noir XIII, 2024, Mixed media on board, 17 x 14 in.
Robert Kelly, Mimesis Noir XIII, 2024, Mixed media on board, 17 x 14 in.

Robert Kelly, Mimesis Rouge IV, 2024, Mixed media on board, 17 x 14 in.
Robert Kelly, Mimesis Rouge IV, 2024, Mixed media on board, 17 x 14 in.


Jack Bush, Yellow Corner, 1970, Gouache on Arches, 22.5 x 30 in., Photography by Michael Cullen, © Estate of Jack Bush/Cova Daav
Jack Bush, Yellow Corner, 1970, Gouache on Arches, 22.5 x 30 in., Photography by Michael Cullen, © Estate of Jack Bush/Cova Daav


Maxwell Bennett Bates, Beer Parlour, 1966, Oil on masonite, 18 x 24 in.
Maxwell Bennett Bates, Beer Parlour, 1966, Oil on masonite, 18 x 24 in.


James Hart, Totem, 1984, Plaster, 48 x 5 x 5 in.
James Hart, Totem, 1984, Plaster, 48 x 5 x 5 in.


Joseph Kyle, Homage to ‘Voice of Fire’, 1992, Acrylic on canvas, 84 x 12 in.
Joseph Kyle, Homage to ‘Voice of Fire’, 1992, Acrylic on canvas, 84 x 12 in.


Jack Shadbolt, Stripe and Land Theme, 1964, Oil and lucite on canvas, 39 x 49 in.
Jack Shadbolt, Stripe and Land Theme, 1964, Oil and lucite on canvas, 39 x 49 in.


Jack Shadbolt, Between No. 5, 1992, Acrylic on watercolour board, 40 x 96 in. (triptych)
Jack Shadbolt, Between No. 5, 1992, Acrylic on watercolour board, 40 x 96 in. (triptych)


Daniel Mullen, Commissioned work, 47-83, 2024, Acrylic on linen, 67 x 78.25 in.
Daniel Mullen, Commissioned work, 47-83, 2024, Acrylic on linen, 67 x 78.25 in.


 


In Case You Missed Our Talks












 



UPCOMING EXHIBITION


BARBARA ASTMAN: CONCEALED/REVEALED

Opening Saturday, April 26th, 2025



Barbara Astman, Composite 31 (Portraits and Conversations with Empty Vessels), 2016-2019, Archival pigment print, 23.5 x 34 in.
Barbara Astman, Composite 31 (Portraits and Conversations with Empty Vessels), 2016-2019, Archival pigment print, 23.5 x 34 in.



 

CURRENT EXHIBITION

JACK BUSH: FLAUNTING THE RULES



On view until April 12, this exhibition enters its final three weeks. This is the first solo exhibition of Jack Bush’s work in BC in 47 years. Don’t miss your opportunity to experience these monumental and significant works in person, a powerful and must-see exhibition.



From left to right: Jack Bush, Spin-off Yellow, Blue Shaft, and January Reds. Photography by Kyle Juron. © Paul Kyle Gallery
From left to right: Jack Bush, Spin-off Yellow, Blue Shaft, and January Reds. Photography by Kyle Juron. © Paul Kyle Gallery

 



A message from our Insurance Sponsor for this exhibition



At Acera Insurance, we’ve been serving the fine arts community for decades. Partnering with the world’s leading insurers, our advisors provide comprehensive, customized solutions to protect your valuable collections.


Contact: Farzina Coladon


 
 
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