Stephanie Aitken's ongoing project considers B.C.’s coastal landscapes in relation to the bodies of humans and animals and regional modes of abstraction. Solo exhibitions include Breathing Machines and Savary Island and Mexico City Watercolours at Field Contemporary in Vancouver. Multi-person exhibitions include Black Diamond Dust at the Nanaimo Art Gallery, The Drama of Perception at Deluge Contemporary in Victoria, B.C., Autumn Almanac at Paul Kyle Gallery, Vancouver, and Entangled: Two Views on Contemporary Painting at the Vancouver Art Gallery. Stephanie’s work has been written about and published in The Walrus, Canadian Art, The Vancouver Review, The Vancouver Sun, C Magazine and Border Crossings. Stephanie's upcoming book How To Make a Painting will be published in 2025.