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  • Writer's pictureDiamond Zhou

Notably Sold & New

welcome to our

SATURDAY EVENING POST

May 18th, 2024


"There is no must in art because art is free. As a picture comes together and unfolds, it starts to talk to us in ways that are sometimes comic and divine, reflecting the mysterious rhythms of life itself."

- Wassily Kandinsky


NOTABLE WORKS SOLD SINCE OUR LAST NEWSLETTER


PABLO PICASSO, Heads, 1956, Earthenware clay with oxidised paraffin decoration, 6.125 x 4.75 in.


WILLIAM PEREHUDOFF, AC-91-36, 1991, Acrylic on canvas, 63.38 x 49.6 in.


SOL LEWITT, Horizontal Color Bands and Vertical Color Bands Plate 02, 1991, Etching with aquatint, 17.4 x 34.9 in.


DAVID SPRIGGS, Aker, 2023, Anodised aluminum, 80 x 80 x 19 in.


DAVID SPRIGGS, Visions Black and White, 2021, Acrylic on layered plexiglass in plexiglass display case with light box, 22 x 8 x 22 in.


THOM MAYNE, XCD_230810-140723_00-3 (Triptych), 2023, UV ink on aluminum, 72 x 108 in.


TONY ROBINS, Copper, 2017, Treated copper and laser engraved matte black acrylic on maple frame, 48 x 96 in.


ROGER WATT, St Pancras Lock, London, 2023, Graphite on Bristol Board, 14.5 x 10.75 in.


CHARLOTTE WALL, Alphabet, 2023, Brass, glass, wood and screen, 75.125 x 42.625 x 13.5 in.


JAMES O’MARA, Duet #44, 2019, Archival pigment print, 33 x 24.8 in.


 

WORKS NEW TO THE GALLERY


ROBERT KELLY, Mimesis Noir XIII, 2024, Mixed media on board, 24 x 21 in.


ROBERT KELLY, Mimesis Rouge IV, 2024, Mixed media on board, 24 x 21 in.


JACK SHADBOLT, Garden of Eden, 1973, Conte on paper, 46 x 96 in.


JACK SHADBOLT, Fall Grasses Triptych #1, Acrylic on watercolour board, 40 x 78 in.


GORDON SMITH, Untitled, 2011, Acrylic on canvas, 59.75 x 77.75 in.


DANA CLAXTON, Glama, 2014, Inkjet print, Unique edition, 96 x 43.25 in.


DEIRDRE HOFER, Snow III, 2019, Oil on canvas, 41.75 x 48 in.


PABLO PICASSO, Profil et femme nue, 1944, Drypoint etching on paper, Edition 11/30, 13.75 x 10.5 in.


 

Have you being following our Saturday Evening Posts?

We are grateful for the opportunity to share our thoughts and insights on art through these Saturday Evening Posts. Each week, we curate a list of compelling topics, sometimes selecting the one that feels most relevant, while other times allowing our discussions to organically evolve into unexpected directions. This dynamic process not only makes our writing enjoyable but also serves as a continuous learning experience, allowing us to draw connections between historical and contemporary works. We hope to continue to enrich your Saturday evenings with these some of these posts.


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